Magic. Enchanted islands. Hm. Well, I’ve seen real magic,
and it isn’t pretty. It isn’t nice.
I used to work as a gravedigger. This was in a time of
plague, and so work was steady, though the pay was terrible. One time I’d just
finished burying a fellow who’d been hung for robbery and murder when this shifty-looking
old codger comes sidling up to me. Says he’ll pay me plenty to come back with
him to the graveyard at midnight and dig up the body. “I just plant them,”
I say to the geezer. “I don’t dig them up.”
He looks around all furtively and then hands me a fat pouch.
More in it than I make in a month.
“If we’re caught,” I say, “we could both end up planted ourselves.” (Of course I’m wondering what he wants the body for,
but I figure the less I know the better).
“If we get away with it,” he says, “there’ll be more of
what’s in that purse for you. A lot more.”
Well, I don’t like the look of this fellow. Ice in his eyes
and skin like he’s just been dug up himself. But I agree to meet him at midnight. Had a
young wife and a child to feed in those days. Before I lost them to the drink.
So that evening after supper I tell the wife I’m off to the
tavern, which was usually the truth anyhow, so my leaving isn’t anything out of
the ordinary. And in fact I do stop in for a few pints, to fortify myself for
what lies ahead. Near midnight I retrieve my spade from where I stashed it
behind the tavern's woodshed and I head for the graveyard.
The old one’s already there,
waiting in the shadows. The moon’s nearly full so we don’t need a lantern.
That’s one bit of luck. Less chance of being seen out here.
The murderer’s buried in a low patch at the far end
of the graveyard, on the other side of a wall from the respectable corpses. He's lucky he's been stashed in the graveyard at all. Connections, I guess.
We find the fresh grave and I get to
work.
You’d think a gravedigger would be the last person to get
spooked in a graveyard. But I only ever come out to this place in the daytime.
Like everyone else I avoid it at night. So even with the drink in me I’m
starting to get the creeps. There’s a big wind tonight, which is good because
it’s hiding the noise of my spade, but it’s making the trees bend and creak and
thrash around like a coven of mad old witches dancing to raise the Evil One.
Every little sound makes me jump. The old fellow seems unmoved, like this is
nothing new or scary to him. Again I wonder what he wants this body for.
I reach the corpse and clear the earth away from it. He
wasn’t buried in a box. Just a sack. I haul the sack up and out, tear it open. The
dead man hasn’t started to smell yet. One small blessing. The noose is still around
his neck. Face the colour of a turnip that’s been in the cellar too many winters. Tongue
swollen and hanging out of his mouth all blue. Strange to think this thing was
breathing the air and thinking his thoughts, just like me, only a few hours ago.
“There you go,” I say to the old fellow. “My work is done.”
By now I’m nearly sober and I just want to get the hell out
of here at the earliest possible opportunity. I hold out my hand to give him
the hint I want the rest of my pay.
“Wait,” he says. “There’s more to do.”
“Not for me there isn’t.”
“He was hung for killing a rich old widow,” the old one
says. “Isn’t that right?”
“That’s right. Nearly finished off her servant, too, but he
survived and that’s how they caught this fool. The servant knew him. He was
some relation of the widow’s. Disgraced nephew, I think. In the old lady’s
black books.”
“So they caught him,” the old one says. “But they didn’t
find the widow’s gold.”
“He wouldn’t talk. They tried to beat it out of him but he
never said a word. Must’ve figured he was going to be hung either way, I guess.”
“I’m going to make him talk,” the old fellow says to me,
cool as you please. “He’ll lead us right to the gold.”
That sobers me up completely. I realize now I’m out here in
the dark with a raving lunatic. I keep a good grip on my spade and I say, “In
case it’s escaped your notice, friend, this lump of wormbait I just dug up
isn’t likely to be too articulate.”
The old fellow doesn’t seem to be listening. He’s rummaging
in his cloak and brings out a big glass bottle filled with some liquid that in
the moonlight looks as black as pitch. He swirls it around, then uncorks it. I
stand there, wondering if I should just run, but something’s keeping me rooted
to the spot. The old fellow isn’t behaving like a madman. He’s calm. Sure of
himself.
“What are you?” I ask, trying to put a sneer in my voice. “Some
kind of sorcerer?”
He nods. Just a nod, as if it’s not worth the trouble trying
to convince me. And well, that convinces me.
“If you help me now,” he says, “this will be the last grave
you’ll ever have to dig. I know you have a pretty young wife, and a child at
home. How’d you like to be able to go into business for yourself? I
understand the tavernkeeper is retiring, looking for someone to buy his place.
That someone could be you.”
He knows a lot about me, that’s clear. Too much. I’d thought it enough times, to be sure, that if only
I had a little money, if only this rotten miserly world would give me a bit of luck for once, I’d be on the other side of that bar, filling the glasses
instead of emptying them. Maybe the dead man thought something like that too, when he lay awake nights imagining the old lady's gold.
“What do you want me to do?” I hear myself asking.
“Sit him up and hold open his mouth, while I pour this in.”
[to be continued]
2 comments:
Dear Thomas Warton
My name is Kristy muddle I’m 11 years old and love your
books the Shadow of malabron series. I ‘am emailing you because
we are reading books in library and doing activities and I choose email your author
and ask them 5 questions about the book.
Why did you decide to write?
What would be your favourite book you have ever written?
Who inspired you to write?
If the gates are constantly moving how does Will get back to the perilous Realm in book 2?
What gave you the idea for the Shadow of malabron series?
Thanks for reading my email I can’t wait for the 2 books to come for my birthday.
Hi Kristy,
Thanks for reading the book. I'm glad you enjoyed it.
To answer your questions:
1. When I was a kid I would read a story and if I liked it a lot I would want more of the same. If there were no more stories like that I used to write them myself ... so it just became a habit.
2. When I'm working on a book I always think of it as my favourite -- because it's the one that's on my mind at the time!
3. I was inspired to write by other writers, whose books I loved. Writers like Conan Doyle, JRR Tolkien, and Ursula LeGuin.
4. I don't want to give too much away, but in Book 2 Will has to find his way back to the Realm all over again. He can't rely on the same path he took before.
5. The idea for the series came from thinking "what if there was a place where all the stories in the world came from, and it was a place you could travel to?" There was also a line in a book by Ursula LeGuin that I liked, about a wizard who tells a fire to go out. That got me thinking, "What if magic was the ability to TELL things into being, like telling a story?"
I hope you'll enjoy the rest of the trilogy. Best wishes.
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