The Elements
of Story # 5: The Fifth Element
In earlier
posts I’ve played around with the four classical elements of water, earth, air,
and fire by imagining them as the elements of Story. But there was another
element in ancient philosophy, sometime called the quintessence, or the fifth
element. In Greek mythology it was the pure, celestial aether that the gods
breathed, then was later defined by classical and medieval philosophers as a
substance without any physical properties, or a quality of the universe that
was “subtler than light.” Then there’s the 1997 Bruce Willis science-fiction
film which reveals that this subtle, mysterious element, with the power to save
the world, is LOVE.
So what’s the
fifth element of story? I had a
tougher time with this one than the other four. What was the subtle, magical
“aether” in which a story takes place? It had to be something common to every
story, whether told by book or screen or even the good old-fashioned human
voice. Could I really pin down something so elusive and mysterious? In the end
I realized I couldn’t define the fifth element, or I didn’t want to. Instead it
made more sense to get at it by way of a story. It’s a very short story but one
of my favourites -- I posted it on this blog a couple of years ago. It’s Tale
200 in The Complete Grimm's Tales for Young and Old,
translated by Ralph Manheim:
The Golden Key
One winter's day, when the ground lay
deep in snow, a poor boy was sent to the forest with a sled to bring back wood.
After gathering the wood and loading it onto to the sled, he was so cold that
instead of going straight home, he thought he'd make a fire and warm himself a
bit. He cleared a space, and as he was scraping away the snow, he found a
little golden key.
"Where there's a key," he said to himself, "there's sure to be a lock."
"Where there's a key," he said to himself, "there's sure to be a lock."
So he dug down into the ground and found an iron box.
"There must be precious things in it," he thought. "If only the key fits!"
At first he couldn't find a keyhole, but then at last he found one, though it was so small he could hardly see it. He tried the key and it fitted perfectly. He began to turn it--and now we'll have to wait until he turns it all the way and opens the lid. Then we'll know what marvels there were in the box.
The Grimm brothers
placed this story last in their collection, as if to remind us that stories and
storytelling have no end but go on and on through the ages. It’s also a story
that draws you in with a character you can begin to care about, and a mystery,
and then, just as the story seems to be about to really get going, it leaves
you hanging. One can imagine a traditional storyteller ending an evening’s
performance with this tale-with-no-end, as a way of bringing her audience back
to the real world while reminding them of her skill. As if to say “See how I
have you under my spell? Now I’m letting you go.”
Together a
story, its teller, and its listener enter a magical space, a field of invisible forces that draws much of its energy from the desire to
know what happens next? This is the
fifth element, the quintessence of Story.
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